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In chapter 64, names for kings and dukes are given. Hilda Ellis Davidson comments that the existence of nine worlds around Yggdrasil is mentioned more than once in Old Norse sources, but the identity of the worlds is never stated outright, though it can be deduced from various sources.
Davidson comments that "no doubt the identity of the nine varied from time to time as the emphasis changed or new imagery arrived".
Davidson says that it is unclear where the nine worlds are located in relation to the tree; they could either exist one above the other or perhaps be grouped around the tree, but there are references to worlds existing beneath the tree, while the gods are pictured as in the sky, a rainbow bridge Bifröst connecting the tree with other worlds.
Davidson opines that "those who have tried to produce a convincing diagram of the Scandinavian cosmos from what we are told in the sources have only added to the confusion".
Davidson notes parallels between Yggdrasil and shamanic lore in northern Eurasia :. The conception of the tree rising through a number of worlds is found in northern Eurasia and forms part of the shamanic lore shared by many peoples of this region.
This seems to be a very ancient conception, perhaps based on the Pole Star , the centre of the heavens, and the image of the central tree in Scandinavia may have been influenced by it Among Siberian shamans, a central tree may be used as a ladder to ascend the heavens.
Davidson says that the notion of an eagle atop a tree and the world serpent coiled around the roots of the tree has parallels in other cosmologies from Asia.
She goes on to say that Norse cosmology may have been influenced by these Asiatic cosmologies from a northern location.
Davidson adds, on the other hand, that it is attested that the Germanic peoples worshiped their deities in open forest clearings and that a sky god was particularly connected with the oak tree, and therefore "a central tree was a natural symbol for them also".
Carolyne Larrington notes that it is nowhere expressly stated what will happen to Yggdrasil during the events of Ragnarök. Nine lines intersect to form the symbol.
Nine was a magic number to the Norse, and within the pattern of these lines all the runes can be found.
The runes also sprang from the Well of Urd, and carried inherent meaning and power. Thus, when one looks at the nine lines of the Web of Wyrd, one is seeing all the runes at once, and seeing in symbolic form the secrets of life and destiny.
Gungnir is a magic spear, with dark runes inscribed on its point. Gungnir never misses its target. When Odin sacrificed himself to discover the runes and the cosmic secrets they held, he stabbed Gungnir through his chest and hung from the world tree, Yggdrasil for nine days and nights.
As a symbol, Gungnir represents the courage, ecstasy, inspiration, skill, and wisdom of the Allfather, and it can be taken to represent focus, faithfulness, precision, and strength.
Ravens may be the animal most associated with the Vikings. This is because Ravens are the familiars of Odin, the Allfather.
Odin was a god of war, and ravens feasting on the slain were a common sight on the battlefields of the Viking Age. The connection is deeper than that, however.
Ravens are very intelligent birds. You cannot look at the eyes and head movement of a raven and not feel that it is trying to perceive everything about you — even weigh your spirit.
Huginn and Muninn fly throughout the nine worlds, and whatever their far-seeing eyes find they whisper back to Odin.
Ravens are also associated with the 9th century Viking hero, Ragnar Lothbrok. Ragnar claimed descent from Odin through a human consort.
This was something that did not sit well with the kings of Denmark, Norway, and Sweden as it implied parity with them , and for that and many other reasons they made war on him.
Various sagas and chronicles tell us Ragnar's success led him to Finland, France, England, and maybe even as far as the Hellespont in Turkey, and wherever he went, he carried the raven banner with him.
His sons Ivar and Ubbe carried the raven banner at the head of the Great Heathen Army that conquered the eastern kingdoms of England in the 9th century.
The banner continued to bring victories until their descendant, Sigurd the Stout, finally died under it at the Irish Battle of Clontarf about years later.
In Norse art, ravens symbolize Odin, insight, wisdom, intellect, bravery, battle glory, and continuity between life and the afterlife.
For people today, they also represent the Vikings themselves, and the years of exploits and exploration that these ancestors achieved.
The wolf is a more enigmatic motif, as it can have several meanings. The most famous to the Vikings was Fenrir or Fenris-wolf. Fenrir is one of the most frightening monsters in Norse mythology.
When the gods saw how quickly Fenrir was growing and how ravenous he was, they tried to bind him — but Fenrir broke every chain.
Finally, the dwarves made an unbreakable lashing with which the gods were able to subdue the creature — but only after he had ripped the god Tyr's hand off.
Fenrir is fated to escape someday, at the dawning of Ragnarok, and will devour the sun and moon and even kill Odin in the last days.
Not all the wolves in Norse culture were evil. Odin himself was accompanied by wolves, named Geri and Freki both names meaning, Greedy who accompanied him in battle, hunting, and wandering.
This partnership between god and wolves gave rise to the alliance between humans and dogs. It is not entirely clear whether this was a synonym or a separate class of berserker.
We may never know for certain. The wolf has both positive and negative connotations in Norse culture. The wolf can represent the destructive forces of time and nature, for which even the gods are not a match.
The wolf can also represent the most valued characteristics of bravery, teamwork, and shamanistic power. The unifying characteristic in these two divergent manifestations is savagery and the primal nature.
The wolf can bring out the worst or the best in people. All this he can do at incredible speeds. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file.
Download as PDF Printable version. Wikimedia Commons. Yggdrasil is widely depicted in modern representations of Norse myths. Modern paintings, wooden carvings, statues, bronze reliefs on doors, and others are often seen in museums and art galleries.
Another famous example are the Warcraft and WoW World of Warcraft games which have the Teldrassil and Nordrassil world trees, which are very much modeled after the Norse Yggdrasil.
The Yggdrasil is the foundation and the basis of Norse mythology, through which all things are connected. It has also influenced many modern pop culture elements.
Palm Beach, QLD, australia. By Alice Robins. Elegant Wicca necklace which features a tree of life. Download Checkout Added to cart. Proceed to Checkout Continue browsing.
Description of Yggdrasil The Yggdrasil is the belief in the cyclical nature of life. Is the yggdrasil symbol of scandinavian origin? Looking to get a tattoo that represents my culture.Yggdrasil, altnordisch Yggdrasill, auch: Weltesche, ist in der nordischen Mythologie der Name einer Esche, die als Weltenbaum den gesamten Kosmos. Yggdrasil. Der Baum des Lebens (auch Lebensbaum oder Weltenbaum) ist ein in der Religionsgeschichte verbreitetes Symbol und Mythenmotiv. Es hängt mit. Schau dir unsere Auswahl an yggdrasil symbol an, um die tollsten einzigartigen oder spezialgefertigten, handgemachten Stücke aus unseren Shops zu finden. Bildergebnis für yggdrasil symbol Keltische Symbole, Keltische Kunst, Schlüsselanhänger Selber Machen, Keltische Designs. Gemerkt von rocndeals.com